Why does bjorks accent change

Since the cessation of their usefulness is imminent, may I appropriate your belongings? FT Diomedes: "Reaver, sometimes I wonder what you are thinking when you sit down to post. Frostys Virpio: "We have to give it to him that he does put more effort than the vast majority in his idea but damn does it sometime come out of nowhere. CSM 12 Candidate. These forums have been archived and are now read-only. Out of Pod Experience. Forum Index. Little tid-bit I found online.

Once on stage, they sing like someone who grew up in New England rather than old. Yet another example is Adele, who has a lovely speaking voice, a very heavy cockney accent, yet her singing pipes do not indicate her dialect. Going beyond the British, we see the same thing with other non-American musicians, such as the Swedish band ABBA, and many others singing in English, yet from various places around the world.

Once this takes place, singers are forced to stress syllables as they are accented in the music, which forces singers to elongate their vowels. When singing, the pace is often slower. Words are drawn out and more powerfully pronounced and the accent becomes more neutral. Another factor is that the air pressure we use to make sounds is much greater when we sing. Those who sing have to learn to breathe correctly to sustain notes for the right amount of time, and singing requires the air passages to expand and become larger.

This changes the quality of the sound. As a result, regional accents can disappear because syllables are stretched out and stresses fall differently than in normal speech. So, once again, this all adds up to singing accents becoming more neutral. So at this point, you might be wondering if the musicians actually know they are losing their accents when they sing.

Certainly not wanting to offend Keith, I began with a few genuine compliments admiring his genius guitar skills. I think you do! Keith could not really explain the mystery behind it, and instead went on to explain why he was wearing black toenail polish the last time I chatted him up in person.

His wife, Nicole, has since been his inspiration to stop, he says. So it would seem, that at least with this sample size of one, the artist in question is not aware of any accent change when he sings.

So what about others? A study he conducted of singers with speaking accents showed indeed that they were not aware that they sounded any different; they felt they were singing naturally. The English-singing sensation was an unknown until Lily Allen mentioned her on a MySpace page and now she boasts more than , followers on twitter. Nash has garnered success on the music charts, accent and all, and flat out refuses to even attempt to sing with an American accent. She makes no apologies for her background and even themes her lyrics toward an English audience.

She is as English as tea in the afternoon and proud of bucking the trend that so many British artists seem to follow, whether intentionally, or more likely in most cases, not. Garoun Investment Bank. Gallente Federation. I've always thought everyone sounds American when they sing.

Contagious Goat Labs. Sibyyl wrote: I've always thought everyone sounds American when they sing. The Troll Bridge. Unsuccessful At Everything. I think we can all agree that when Bjork sings her accent disappears and is replaced by the subtle harmony of a cast iron skillet and a partially frozen howler monkey being thrown in a unmaintained woodchipper.

Wrought iron Industries. Republic Military School. Minmatar Republic. Mudkest wrote: Sibyyl wrote: I've always thought everyone sounds American when they sing.

The Scope. Reaver Glitterstim. There is a singing accent that is well known to sound better than most street accents in song, and its many minor variations have been taught to singers in voice lessons for hundreds of years in european-influenced post-renaissance cultures. I think people should only do that in the case of emergency, but at the end of the day you've got to learn to live with yourself and if you need constant assistance just to do that I cried this morning.

I'm over-emotional. You know when they squeeze the cream out of the gas thing. Like really pretty when It's got a spike at the top, and it's got a circle. Sort of slow circle movement in the same way whipped cream would move. Very still and very satisfied. So how come you didn't ask Goldie to coproduce any of the songs on Post? It wasn't like I was trying to get the whole world on the album.

I'm very much a person who has intimate musical relationships with people and they are almost like love affairs, you see.

But I'm very loyal. So me and Nellee got through half the album and then we just stopped turning each other on. We remained friends, but we would just kind of know each other's taste too much for it to be a surprise. And at that point I met Tricky, so we did those tunes, half of which have come out on my album, the other half is coming out on Durban Poison. And Graham Massey and Howie B, how did your personal relationship with them affect the music?

I met him in ; that was when we were really sparking big time off each other, and for a few years we sent each other tapes, and then when I started doing Debut with Nellee it just became very obvious that it would end up as a very musical affair between me and Nellee. So I talked to Graham and decided to keep the other songs because they were just too different. That song we wrote in an hour.

I fucking wake up in the morning with a far too big heart, I don't know what to do with it really. I love so many people so deeply I could happily die now.

It's scary. It's so scary it's outrageous. If it wasn't for my kid I would It's funny because, when you're more serious, your accent is more British, and when you're speaking more emotionally it's more Icelandic. For me Icelandic is my instinct and English is me being clever. Icelandic is unconscious and English is conscious. And when I speak English, especially when I do interviews and stuff, I can very easily see myself from the outside and describe myself.

But then again I would have to be pretty stupid not to have developed that thing, because I've done interviews now for years. But it's impossible for me to do interviews in Icelandic. I just listen to myself and I sound so fake and so terribly pretentious and so Little Miss Know-it-all, I just want to strangle myself. The Icelandic media is going bonkers because I do one interview there every five years. Do you feel like you have multiple personalities you can switch into at any time to suit the mood or occasion?

Like when you do interviews, or when you're with friends or when you're performing. Or do you feel a lot more sorted than that? And that's kind of what Debut and Post are all about. Like, I would love to do one experimental electronic song with Graham and the next day I would love to be a diva walking down the staircase being a drama queen. The day after, I would love to do a punk song, and that's very much how I've done my music so far, but I can feel very much that I'm starting to become more everything at once.

Like I have one friend who I'm very humorous with and another friend whom I'm very sexy with; and another friend that protects me and another friend that I protect; but now I can see it, I'm not planning it or anything, I can just see myself being able to be everything with each person and just being more spontaneous about it, and just let it flow.

But I think everyone is a bit like that and that is kind of the target; combine all those things without leaving any of them out. Because it's very tempting, as we grow up, to leave one of them out. And there's me thinking that's because you've been working really hard, not shagging.

I just look at a plate of food and I just think it's rubbish. When I was young, standing out was great: I wanted people to see me. During one memorable school assembly in which the teachers wanted to show how varied the human race is they picked a small person to come out and stand next to a tall person.

I was so excited. But as I got older, and ganglier, that desire to stand out vanished. I wanted desperately to be like everyone else. I needed weirdos in my life.